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dc.contributor.authorMarcos Pérez, José María
dc.contributor.editorEdiciones Universidad de Valladolid
dc.date.accessioned2019-04-24T18:03:25Z
dc.date.available2019-04-24T18:03:25Z
dc.date.issued1994
dc.identifier.citationMinerva. Revista de Filología Clásica; Núm. 8 (1994) pags. 77-97
dc.identifier.issn2530-6480
dc.identifier.urihttp://uvadoc.uva.es/handle/10324/35408
dc.description.abstractThis paper attempts to be a study of the messanger-speech concept and structure in Euripides' plays. The messanger's function, concept and attributes are also studied. The author focusses his attention on the messanger-speech sections and the differences among them. The messanger-speech is seen as the highest stage of tragic dramatism.
dc.format.mimetypeapplication/pdf
dc.language.isospa
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceMinerva. Revista de Filología Clásica
dc.subjectFilología clásica
dc.titleEl relato del mensajero en Eurípides: concepto y estructura
dc.typeinfo:eu-repo/semantics/article
dc.relation.publisherversionhttps://revistas.uva.es/index.php/minerva/article/view/3132
dc.identifier.publicationfirstpage77
dc.identifier.publicationissue8
dc.identifier.publicationlastpage97
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.type.hasVersioninfo:eu-repo/semantics/submittedVersion


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