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dc.contributor.authorÚbeda Blanco, Marta 
dc.contributor.authorVillalobos Alonso, Daniel 
dc.contributor.authorPérez Barreiro, Sara María 
dc.date.accessioned2019-08-09T16:01:20Z
dc.date.available2019-08-09T16:01:20Z
dc.date.issued2019
dc.identifier.citationGraphic Imprints. The Influence of Representation and Ideation. Springer. International Publishing AG, part of Springer Nature 2019. Editor Carlos L. Marcos. University of Alicante, San Vicente del Raspeig, Alicante. Spain. ISBN 978-3-319-93748-9 ISBN 978-3-319-93749-6 (eBook), 2018. pp. 1076-1086.es
dc.identifier.isbn978-3-319-93748-9es
dc.identifier.isbn978-3-319-93749-6es
dc.identifier.urihttp://uvadoc.uva.es/handle/10324/37401
dc.descriptionProducción Científicaes
dc.description.abstractDescription Nowadays we are seeing the fall of drawing as architecture´s main tool. Drawing, which is so necessary and important in our profession as architects since the origins of architecture, is disappearing with the advance of technology. Focus The new ways of working in all architect studios with the advance of computer software, are leaving drawing out. Programming courses and computer drawing are more important in architectural teaching tan drawing subjects. The old drawing instruments like rotring and the compass are now kept in glass windows by collectors. Models are the only tools that have remained with architects since the beginning of their profession. Models were used to convince the principal party and to explain the project to costumers that didn´t understand layout drawings and perspectives. Nowadays, architects present their studios showing rooms full of manual models. Objectives The main objective of this communication is to show that three-dimensional representation through physical models has been and still is, the most important tool in Architecture. Models are the link between old and modern architecture. That is why we are going to study the way they work in Japanese studios of architecture, where physical models are their main system of working from the initial stages of the project.es
dc.format.mimetypeapplication/pdfes
dc.language.isoenges
dc.publisherEditor Carlos L. Marcos. University of Alicante, San Vicente del Raspeig, Alicante. Spain.es
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/*
dc.subject.classificationModern Architecturees
dc.subject.classificationArquitectura Modernaes
dc.subject.classificationMaquetas y modelos de Arquitecturaes
dc.subject.classificationArchitectural Compositiones
dc.subject.classificationComposición Arquitectónicaes
dc.subject.classificationArchitectural Theoryes
dc.subject.classificationArquitectura Moderna Japonesaes
dc.subject.classificationJapanese Modern Architecturees
dc.subject.classificationModelses
dc.subject.classificationManuales
dc.subject.classificationJapanese studioses
dc.subject.classificationRepresentación arquitectónicaes
dc.titleLittle Big Models. The Tools of Japanese Architect Studioses
dc.typeinfo:eu-repo/semantics/bookPartes
dc.rights.holderLos autoreses
dc.identifier.publicationfirstpage1076es
dc.identifier.publicationlastpage1086es
dc.identifier.publicationtitleGraphic Imprints. The Influence of Representation and Ideation. Springer. International Publishing AG, part of Springer Nature 2019es
dc.rightsCC0 1.0 Universal*
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones
dc.subject.unesco620101 Diseño Arquitectónicoes
dc.subject.unesco550601 Historia de la Arquitecturaes
dc.subject.unesco330526 Edificios Públicoses


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