2024-03-28T21:34:16Zhttp://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/170042021-07-06T08:26:48Zcom_10324_5268com_10324_5186com_10324_29291col_10324_16984
UVaDOC
author
Mata Buil, Ana
editor
Ediciones Universidad de Valladolid
2016-05-23T14:52:22Z
2016-05-23T14:52:22Z
2015
Hermeneus: Revista de la Facultad de Traducción e Interpretación de Soria, 2015, N.17, pags.137-177
1139-7489
http://uvadoc.uva.es/handle/10324/17004
137
17
177
This article offers a comparative analysis of the poetic reception of T. S. Eliot, Marianne Moore and Edna St. Vincent Millay from the standpoint of their differences in centrality-periphery in American Modernism.The study begins with a quantitative analysis of the printed editions of their books published in English and Spanish between 1912 and 2012, comparing the North American and British cultural system with that of Latin America and Spain, both of which are part of a global literary system. It then moves on to a qualitative analysis of a particular work by each poet: Eliot’s Old Possum’s Book of Practical Cats, Moore’s Complete Poems, and the different editions of Millay’s Selected Poems. This transnational diachronic study applies concepts borrowed from the sociology of translation as a means to identify the factors that may have influenced the uneven reception of these three exponents of American Modernism.
spa
Attribution-NonCommercial-NoDerivatives 4.0 International
Filología
Análisis comparativo de la recepción poética de T. S. Eliot, Marianne moore y Edna St. Vincent Millay
info:eu-repo/semantics/article
URL
https://uvadoc.uva.es/bitstream/10324/17004/1/Hermeneus-2015-17-AnalisisComparativo.pdf
File
MD5
93dceaac6e9147fab820cb20a4dc4de8
409349
application/pdf
Hermeneus-2015-17-AnalisisComparativo.pdf