RT info:eu-repo/semantics/article
T1 All the Park’s a Stage: Westworld as the Metafictional Frankenstein
A1 Sebastián Martín, Miguel
A2 Ediciones Universidad de Valladolid
AB This essay presents a literary analysis of the TV series Westworld (2016‒), created by Jonathan Nolan and Lisa Joy, who take Michael Crichton’s Westworld (1973) as its hypotext. In so doing, the paper will firstly trace the literary and film sources of the series, particularly Mary Shelley’s Frankenstein, which is the myth informing the overall diegetic universe of the series as an architext. Secondly, it will comment on the reflexive elements present in the series, looking at certain key sequences that exemplify its metafictional dimension. The main contention will be that the series success lies in the combination of these two dimensions, the Frankensteinian and the metafictional, since both contribute to emphasise the postmodern philosophical questions posed by Nolan and Joy.
SN 2531-1654
YR 2018
FD 2018
LK http://uvadoc.uva.es/handle/10324/33722
UL http://uvadoc.uva.es/handle/10324/33722
LA eng
NO ES Review. Spanish Journal of English Studies; No 39 (2018) pags. 51-67
DS UVaDOC
RD 19-abr-2024