RT info:eu-repo/semantics/bookPart
T1 Songs without words. The motet as solo instrumental music after Trent
A1 Griffiths, John
AB The motet was a central if not pivotal element in solo instrumental practice duringthe entire sixteenth century. Throughout this period, vocal polyphony washabitually re-notated in specifically instrumental notations for a variety of reasons.Whereas our modern historiographical tradition concerning Renaissancemusic continually divides instrumental and vocal music into separate streams,this produces a false picture of the role of instruments and instrumental music.We need to remind ourselves that, while there were many virtuoso instrumentalistswho achieved legendary status during their lifetime, it can be supposed thatnearly every composer or singer of polyphonic music would have been proficienton some kind of polyphonic instrument.
PB Routledge
SN 978-1-138-20710-3
YR 2019
FD 2019
LK http://uvadoc.uva.es/handle/10324/40354
UL http://uvadoc.uva.es/handle/10324/40354
LA eng
NO Esperanza Rodríguez-García and Daniele V. Filippi (eds.), Mapping the Motet in the Post-Tridentine Era, New York, 2019
NO Producción Científica
DS UVaDOC
RD 25-abr-2024