RT info:eu-repo/semantics/article
T1 Le Corbusier: fotografía y difusión. La gestión de la imagen como actitud de vanguardia
A1 Zaparaín Hernández, Fernando
K1 Le Corbusier
K1 proyectos arquitectónicos
K1 fotografía
K1 Le Corbusier, difusión, fotografía, publicaciones.
AB This paper wants to analyze the diffusion that Le Corbusier made of his own work by sending photographs to editorials: relationships with publishers, preferred issues, pictures management. Although the formal analysis of the images is not intended, we can see some conceptual options in its issue, such as personal control over them, good knowledge of files, the relationships with professional photographers or the indications to them.This research reinforces some conclusions about how Le Corbusier spread his message. He preferred to be known as a pioneer of new urbanism, rather than an architect of contemporary villas. But the media were more interested in their houses. The petitioners were varied and international, and expressed great devotion to the message of modernity. He was requested by the avant-garde but also by popular publications and new instituciones like industrial museums. He did not improvise and set up a specific management system to not let the pictures in the hands of publishers. The volume of files shows how the image control had a predominant role in the diffusion of Le Corbusier’s architectural work. All these actions confirm the modern methods that he used, like control, propaganda and internationalization.
SN 2340-9711
YR 2015
FD 2015
LK http://uvadoc.uva.es/handle/10324/42303
UL http://uvadoc.uva.es/handle/10324/42303
LA spa
NO Rita (Revista indexada de textos académicos), 2015, n. 4. p. 136-143.
NO Producción Científica
DS UVaDOC
RD 20-abr-2024