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dc.contributor.authorRomay Coca, Juán 
dc.contributor.authorRodríguez, Claudio J.
dc.contributor.authorRoche Cárcel, Juan Antonio
dc.contributor.authorSoto Sánchez, Alberto 
dc.date.accessioned2024-02-12T19:17:04Z
dc.date.available2024-02-12T19:17:04Z
dc.date.issued2023
dc.identifier.citationSocial Semiotics, Julio 2023, DOI: 10.1080/10350330.2023.2240244es
dc.identifier.issn1035-0330es
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/66195
dc.description.abstractOur paper focuses on the semiotic analysis of images as shot by photojournalists. The photographs we analyze were taken in two different cities in Spain during a period of strict enclosure. For the analysis, we asked photojournalists to select several images. Once we received a selection, we analyzed the content of the images and categorized them. We processed the resulting information through statistical methods. The results show the importance of two variables: judgment and social emotions. While both variables show positive and negative significance, the results indicate the relevance of negative meanings. This may be due to a social logic centered on survival and individualism. This leads us to think that there has been a process of descaffolding during the period analyzed.es
dc.format.mimetypeapplication/pdfes
dc.language.isoenges
dc.publisherRoutledgees
dc.rights.accessRightsinfo:eu-repo/semantics/restrictedAccesses
dc.titleAnalyzing the meaning of social images during pandemic lockdownes
dc.typeinfo:eu-repo/semantics/articlees
dc.identifier.doi10.1080/10350330.2023.2240244es
dc.identifier.publicationfirstpage1es
dc.identifier.publicationlastpage17es
dc.identifier.publicationtitleSocial Semioticses
dc.peerreviewedSIes
dc.identifier.essn1470-1219es
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones


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