RT info:eu-repo/semantics/doctoralThesis
T1 Análisis etnográfico y musicológico de la práctica musical y dancística del halay o govend ligada a las celebraciones comunitarias en la región de Urfa, Turquía.
A1 Islán Fernández, Sara
A2 Universidad de Valladolid. Escuela de Doctorado
K1 Música
K1 Ethnomusicology
K1 Etnomusicología
K1 Ethnochoreology
K1 Etnocoreología
K1 Kurdology
K1 Kurdología
K1 Folklore
K1 Folklore
K1 5101.04 Etnomusicología
AB In Urfa, Turkey, the ritual practice of halay or govend dances in community celebrations, is filled with performative and commemorative power. The musical repertoire accompanying these dances is characterized by high dynamism and the use of non-dense models in the zurna, as well as rhythmic commetricity built on dense models in the davul accompaniment. The primary users of these dances are rural Kurdish communities of tribal origin and peripatetic wedding musicians. Gender dependence on heteropatriarchal social structures is reflected in the use of dance, where the choreographic language intended for women and men embodies among others their differentiated access to initiative in social life. Additionally, the stigmatization of wedding musicians has paved the way for the institution to discredit them and take control of official folklore production. However, the coexistence between ritual practice and institutional repertoire has led to a certain democratization and significant enrichment for both.
YR 2024
FD 2024
LK https://uvadoc.uva.es/handle/10324/67182
UL https://uvadoc.uva.es/handle/10324/67182
LA spa
NO Escuela de Doctorado
DS UVaDOC
RD 21-may-2024