https://uvadoc.uva.es/handle/10324/1384 Dpto. Urbanismo y Representación de la Arquitectura - Capítulos de monografías 2026-04-16T12:41:52Z https://uvadoc.uva.es/handle/10324/82700 En este estudio se aborda cómo ha evolucionado el tratamiento de las doce áreas periurbanas objeto de análisis en los instrumentos de planeamiento urbanístico y territorial vigentes en España. Como en el resto de los estudios de este bloque, el marco temporal es cincuenta años, desde la década de 1970 hasta la actualidad. El examen de cómo ha cambiado la percepción y regulación de estos espacios de transición se estructura en cuatro fases históricas. Los años setenta del ‘desarrollismo’, en los que los planes generales concebían las áreas periurbanas como un simple campo indiferenciado para la expansión. Los ochenta, testigos de un urbanismo que frenó, con la llegada de la democracia, la expansión desmedida y se centró en la ciudad existente. Los noventa e inicio del nuevo siglo hasta la crisis de 2008, en los que el planeamiento alimentó una nueva burbuja inmobiliaria al tiempo que comenzaron a surgir iniciativas que reivindicaban los valores ecológicos, paisajísticos y culturales de estos territorios, buscando su protección. Finalmente, el cambio de paradigma que se percibe tras la crisis de 2008. En definitiva, se concluye que el planeamiento ha evolucionado hacia un mayor reconocimiento de los valores intrínsecos de las áreas periurbanas (ecológicos, agrícolas, paisajísticos), superando su visión como mera reserva de suelo para la expansión. Sin embargo, aunque los nuevos instrumentos incluyen conceptos como el de ‘infraestructura verde’, aún queda mucho por hacer y la tensión con los intereses inmobiliarios persiste. 2025-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/81410 For 20 years, Miró Rivera Architects has produced an innovative, refined, and imaginative body of work that blurs the line between art and architecture. Based in Austin, Texas, their diverse practice weaves together elegant craftsmanship with a honed sense of space and materiality. From a delicate footbridge to an iconic observation tower, the firm’s work has shaped the trajectory of architecture in Texas and has brought international attention to Austin. Beyond live music, the city is now recognized as a creative hub where architects, filmmakers, and artists push boundaries. Together they have engendered a unique sense of place—an Austin “state of mind”— that defies stereotypes about Texas. The first from the firm, this volume provides critical insight into their creative process through texts, drawings, and photographs. The book explores Austin as a modern-day “arcadia”— an evocative place of beauty and harmony with nature—and provides a window into why people want to live in Austin and how they live. Featuring essays by Michael Sorkin, Nina Rappaport, Juan Luis de las Rivas Sanz, and Carlos Jiménez— prominent thinkers in urban design and architecture—and images by renowned photographers Iwan Baan and Sebastian Schutyser, this book situates the firm’s diverse portfolio in a global context related to concepts of nature, sustainability, history, and urban design. 2021-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/80540 Las autoras sostienen que en las escuelas de arquitectura españolas, salvo excepciones, se tiende de forma dominante a obviar el hecho de que el espacio público urbano es un producto colectivo. Bajo esta lógica, se forman estudiantes que proyectan en contextos urbanos “lisos”, sin las contradicciones ni complejidades que condicionan la práctica real. Los problemas derivados de esta situación son muchos e importantes, y justifican la necesidad y el interés de educar a los arquitectos y las arquitectas1 en la sensibilidad y el respeto hacia las prácticas y los valores que desarrollan sobre el espacio los grupos sociales distintos de los facultativos —habitantes, gestores y trabajadores de servicios públicos, etc.— y en la responsabilidad social que conlleva participar en la transformación de entornos habitados, así como de proporcionarles algunas herramientas para proyectar espacios desde esa ética. El texto defiende, por un lado, el interés de involucrar las perspectivas de esos actores en las decisiones de transformación espacial urbana y, en ese sentido, la pertinencia de un diálogo sostenido entre la antropología, por un lado, y el urbanismo y la arquitectura, por otro. Además, se presentan algunos resultados de una colaboración interdisciplinar en la Escuela Técnica Superior de Arquitectura de Valladolid (ets) para el desarrollo de herramientas cualitativas adaptadas al mejoramiento de espacios libres públicos. 2024-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/76671 El desmantelamiento y la regeneración de terrenos militares es una de las cuestiones críticas «abiertas» para la valorización territorial de muchos contextos urbanos y periféricos en Italia. Por eso se propone una lectura de resultados significativos y potencial inexpresado que entrelaza desarrollos normativos y procesos de política urbana. 2025-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/73929 The work aims to highlight the variable relationship between architecture and nature from the mid-nineteenth century to the present, and do so taking as an object of study the hydraulic mills of rural areas and their supply channels. The 34 mills distributed along the Esgueva river valley (provinces of Valladolid, Palencia and Burgos, Spain) that make up the sample show the changes in the relationship between architecture and nature over time; changes that go from the functional valuation to another one of landscape, cultural and / or ludic character. The communication aims to explore the evolution over time of the hydraulic mills of the mentioned valley, as well as the possibilities of revitalization of the small rural nuclei where they settle, from the valorization of this type of architecture fully integrated in nature, in which architecture, vegetation, water and landscape make up a whole with great potential. 2019-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/73033 Descripción sobre la arquitectura tradicional de barro en Tierra de Campos. Incluye un análisis de variantes tipológicas y una descripción de todos los elementos constructivos que las componían, así como del uso de otros materiales y de las recomendaciones para su correcta conservación. Un último apartado se destina específicamente a las carpinterías. 2012-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71827 Se expone la intervención en un edificio catalogado como Bien de Interés Cultura en 1979, situado en la margen derecha del Ramal sur del canal de Castilla a la altura de la exclusa 33. El edificio se construyó en piedra y ladrillo en el siglo XIX para uso como bodega y lagar, y se deseaba transformar en restaurante-asador y bar musical. Si bien se encontraba en buenas condiciones, tanto los muros de carga como las cerchas de madera de cubierta, se realizó una obra completa de restauración y rehabilitación de dicho edificio. 2003-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71819 The rise and institutional promotion of sustainable development as the new paradigm for guiding the future society have introduced, in urban planning, a collateral recovery of some of the finest old ideas. The criticism about growth and destruction mechanisms in the capitalist city have forced urbanism to be more attentive to social progress and the environment. Thus, a rediscovery of Planning History takes place to the extent that sustainability favors a reinvention of contemporary urban culture. This also permits an elective affinity, resolved by a personal chemistry in the review of these classic figures. Along 20 years, from the emergence of the Brundtland Report (1987) to the Leipzig Charter (2007), urban sustainability is consolidated as the hegemonic program. However, urban designers need to concrete approaches in their task of giving form to this program. Some classic planning figures offer continuity to the meaning of sustainability, with ideas that could be present in the new urban agenda. Briefly, I propose a selective approach to urban sustainability precedents and three historic episodes useful for working today. 2023-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71818 The essay proposes a little trip through some regional planning works made up by the Fundación Metrópoli in the last years. All of them share a common ground of ideas for making the regional ecologies spatially visible. In Euskalhiria, the Basque City-Region; in Bintan island, in the south extreme of the Malacca Strait Diagonal, close to Singapore; and in the Caribe and Santanderes region of Colombia, regional planning arises as the tool to create strategic vision in territories that are demanding a better future. The diamond metaphor offers a positive imagination founded in the features and potentialities of the territory. An innovative regional imagination is invading the field of spatial planning in search of more creative solutions to social, economic, physical, and environmental problems. With a better understanding of regional landscapes and of the functional structure of urban regions, it will be possible to enhance the potential of places, combining collective intelligence and local identity. 2021-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71817 After the Pandemic, some ideas related to the demand for a new or different urbanism, which could be associated with the “proximity revolution”. That has also to do with an approach effort to urban metabolism from the territorial perspective that incorporates the concept of bio-region , a concept projected at the service of a coherent and collaborative local project, rescuing the deep inter-relationship between the urban and its rural and natural environments. Spatial planning is working in an uneven world; in a continuous process of wondering… What do we know how to do? What we don't know how to do? What we would like to avoid? 2024-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71610 Dibujos realizados por la Cátedra de Composición de la Escuela Técnica Superior de Arquitectura de Valladolid. Levantamiento gráfico realizado del edificio proyectado en 1936 por el arquitecto Francisco Gil y situado en la ciudad de Salamanca, entre la calle Zamora y la calle Concejo. En total se realizaron: un plano de emplazamiento, una perspectiva cónica y ocho planimetrías que incluían las cuatro plantas, tres alzados y una sección transversal por la escalera. Estos dibujos fueron reproducidos en la ficha 36 del catálogo y mostrados en la exposición que tuvo lugar en el mes de abril de 1998 en el Museo de Historia de Salamanca, en la Casa del Obispo. 1998-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71609 Este pequeño templo destaca quizá por la abierta naturalidad con que se resuelve, en consonancia con su tamaño, el trazado de la planta y la concepción del volumen -incluida su presencia en su entorno, su percepción exterior-, así como por el delicado equilibrio de forma envolvente y recursos ornamentales que da cuenta de la humilde pero íntima calidez de su espacio interno. 1994-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71375 Whatever is unfinished or incomplete stimulates the imagination by suggesting to the mind the fragmentary object as it originated. Ruins are a veiled recollection of past reality. This article is centred upon the concept of “ruin” and serves to reflect on the earliest Renaissance representations of the architectural remains of the past. It considers how they took shape as a symbolic object but became transformed into an element for academic study; how they went from real ruins to imaginary. It highlights among these aspects the speculative and interpretative sense of these drawings, in addition to their relation with the world of projects and restoration. 2022-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71374 James Frazer Stirling (1926–1992) is one of the globally recognized architects. His career spans from the modernity of the 1950s to the postmodernity of the 1970s. This essay aims to highlight his lesser-known role as a master of representation, focusing on his pivotal work, the Bachelor’s Thesis titled “Urban Center Plan andCommunity Center Development forNewtonAycliffe,” developed between 1949 and 1950 at the Liverpool School of Architecture. In addition to consulting his extensive bibliography, access has been granted to the documentary collection of James Stirling and Michael Wilford. This collection includes organizational charts, analytical diagrams, field notes, model photographs, colored floor plans, and conical perspectives. Based on this documentation, we recognize the level of perfection achieved by J. F. Stirling even in those early years. This perfection would accompany him throughout his career, as he routinely used these graphic resources along with others. 2024-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71373 Digital tools are moving students away from manual graphic tools and rendering techniques in technical and design careers.Especially in the initial stages of projects. The research aims to show a series of teaching strategies aimed at developing graphic thinking. It is included within the creative process of the Industrial Design Engineering and Product Development student. Graphic thinking and manual expression skills have been enhanced. The purpose is to show ideas and represent them graphically during the design process. The development of an innovative teaching experience is shown within the subject of Design Workshop I. The results obtained reveal the student’s ability to interpret, abstract, synthesize and represent a musical piece. The graphic tools used have been points, lines and planes. The development of the exercise uses the knowledge acquired in the first block of the subject called Component Analysis: Conception of shape and volume. 2024-01-01T00:00:00Z https://uvadoc.uva.es/handle/10324/71372 In an increasingly digitalized society, it is very complex to adequately carry out the graphic learning process of students. These premises are especially noticeable in the teaching of industrial design and product development schools. This communication will test these issues and their practical application to the DesignWorkshop subject of the second year of this degree. The studywork consists of the creation of a stand for a food company, so that it can be installed ephemerally at a prestigious trade fair. The aim is to combine graphic designwith interior design to achieve a corporate image. An aspect in which special attention was paid by the teachers was the connection that the work in its process and result had to maintain with the professional reality of future designers. For this reason, the company that was the object of the stand design was involved so that its marketing managers could attend the presentations of the work. From here it was decided to hold a contest to reward the best proposals and the conditions were agreed with the students so that their works could be exhibited physically, on digital and dissemination networks, with the condition that their authorship appeared. 2024-01-01T00:00:00Z