ES: Revista de filología inglesa - 2003-2004 - Num. 25
https://uvadoc.uva.es/handle/10324/5355
ES: Revista de filología inglesa - 2003-2004 - Num. 252026-04-27T01:18:45ZSalman Rushdie y Severo Sarduy: convergencias estéticas
https://uvadoc.uva.es/handle/10324/17308
2003-01-01T00:00:00ZFilling the label: Estuary English as a new form of pronunciation
https://uvadoc.uva.es/handle/10324/17303
2003-01-01T00:00:00ZThe mystery of the novel with British and an American ending
https://uvadoc.uva.es/handle/10324/17306
2003-01-01T00:00:00ZWe can devise a thousand honest ways of making a livelihood
https://uvadoc.uva.es/handle/10324/17305
2003-01-01T00:00:00ZLa presencia del "Quijote" en "Little Dorrit"
https://uvadoc.uva.es/handle/10324/17307
2003-01-01T00:00:00ZEl color del agua
https://uvadoc.uva.es/handle/10324/17304
2003-01-01T00:00:00ZAn analysis of request production by university and secondary school EFL students
https://uvadoc.uva.es/handle/10324/17298
2003-01-01T00:00:00ZGenre and discourse community
https://uvadoc.uva.es/handle/10324/17297
2003-01-01T00:00:00ZElementos subersivos en "The Bloody Chamber" de Angela Carter: estudio comparativo con las versiones tradicionales de "Barba Azul" de Charles Perrault y los hermanos Grimm
https://uvadoc.uva.es/handle/10324/17302
2003-01-01T00:00:00ZThe problem of the translation of proper names in "Harry Potter" and "The Lord of the Rings"
https://uvadoc.uva.es/handle/10324/17299
2003-01-01T00:00:00ZSemantic constraints on the distribution of English higher adverbs
https://uvadoc.uva.es/handle/10324/17301
2003-01-01T00:00:00ZA world of alienation and pain: an existentialist reading of Graham Green's novels
https://uvadoc.uva.es/handle/10324/17300
2003-01-01T00:00:00ZBenefits of using authentic materials in an EST class
https://uvadoc.uva.es/handle/10324/17295
2003-01-01T00:00:00ZCormac McCarthy's borderlands: a challenge to a mythic construct of the American West
https://uvadoc.uva.es/handle/10324/17296
2003-01-01T00:00:00ZWords and things: Tony Harrison's poetic stage
https://uvadoc.uva.es/handle/10324/17293
2003-01-01T00:00:00ZHopkins the Victorian-Postmodern/-ist: his manipulation of genre
https://uvadoc.uva.es/handle/10324/17294
2003-01-01T00:00:00Z