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dc.contributor.author | López Jimeno, María del Amor | es |
dc.contributor.editor | Ediciones Universidad de Valladolid | es |
dc.date.accessioned | 2015-04-14T13:55:57Z | |
dc.date.available | 2015-04-14T13:55:57Z | |
dc.date.issued | 2001 | es |
dc.identifier.citation | Minerva: Revista de filología clásica, 2001, N.15, pags.219-244 | es |
dc.identifier.issn | 0213-9634 | es |
dc.identifier.issn | 2530-6480 | |
dc.identifier.uri | http://uvadoc.uva.es/handle/10324/10414 | |
dc.description.abstract | In this paper the authoress deals with the film "The eternity and a Day", linking it with modem Greek Lyrics, especially with the character of Dionysios Solomos, cornerstone of National Greek Poetry. His presence in the film is used as a symbol of Greek values which, in times of crisis (either individual-illness- or collective -war, immigration-) turn themselves into universal referents such as freedom and human dignity. | es |
dc.format.mimetype | application/pdf | es |
dc.language.iso | spa | es |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.subject | Filología clásica | es |
dc.title | Las fronteras, la muerte y la eternidad. La poesía en el cine de T. Anguelópulos | es |
dc.type | info:eu-repo/semantics/article | es |
dc.identifier.publicationfirstpage | 219 | es |
dc.identifier.publicationissue | 15 | es |
dc.identifier.publicationlastpage | 242 | es |
dc.identifier.publicationtitle | Minerva: Revista de filología clásica | es |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International |
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