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    • ES: Revista de filología inglesa
    • ES: Revista de filología inglesa - 2006-2007 - Num. 27
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    Por favor, use este identificador para citar o enlazar este ítem:http://uvadoc.uva.es/handle/10324/17334

    Título
    Women's self-portrait as self-discovery: Negotiating the gap between seeing and being seen in Drusila Modejeska's "The Orchard" (1994)
    Autor
    Pérez Ríu, Carmen
    Editor
    Ediciones Universidad de ValladolidAutoridad UVA
    Año del Documento
    2006
    Documento Fuente
    ES: Revista de filología inglesa, 2006, N.27, pags.151-162
    Abstract
    The Australian author Drusilla Modjeska combines historical and fictional characters to weave the text of her 3rd book, The Orchard (1994), which plays with two genres, the novel and the essay. The lives of women painters and their fight to pursue their careers are used to illustrate the conflicts in which the fictional characters are immersed. These painters' self-portraits become a way to explore their identities and a vehicle to achieve self-express ion by negotiating the gap between seeing and being seen. The difficult relation of women with the visual and with identity is laid down for analysis, while the author proposes a solution, attainable only after a period of solitude.
    Materias (normalizadas)
    Filología Inglesa
    ISSN
    0210-9689
    Idioma
    spa
    URI
    http://uvadoc.uva.es/handle/10324/17334
    Derechos
    openAccess
    Aparece en las colecciones
    • ES: Revista de filología inglesa - 2006-2007 - Num. 27 [14]
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    Attribution-NonCommercial-NoDerivatives 4.0 InternationalLa licencia del ítem se describe como Attribution-NonCommercial-NoDerivatives 4.0 International

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