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dc.contributor.authorRáez Padilla, Juan
dc.contributor.editorEdiciones Universidad de Valladolid es
dc.date.accessioned2016-06-22T15:31:55Z
dc.date.available2016-06-22T15:31:55Z
dc.date.issued2007
dc.identifier.citationES: Revista de filología inglesa, 2007, N.28, pags.159-169
dc.identifier.issn0210-9689
dc.identifier.urihttp://uvadoc.uva.es/handle/10324/17346
dc.description.abstractThis article analyses two particular aspects of water symbolism in the poetry of Seamus Heaney: on the one hand, it focuses on the interrelationship between water and music in what we have termed symbolic complex of Moyola; on the other hand, it emphasizes the significance of underground water and deliquescence in what we call symbolic complex of the diviner. These two symbolic complexes show the inspirational force of water in the poetry of the Nobel prize writer. Finally, this symbolic study intertwines as well with other personal and community identity issues of utmost importance in Heaney's oeuvre.
dc.format.mimetypeapplication/pdf
dc.language.isospa
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceES: Revista de filología inglesa
dc.subjectFilología Inglesa
dc.titleAgua, música y delicuescencia subterránea en la poesía de Seamus Heane: complejos simbólicos de Moyola y del zahorí
dc.typeinfo:eu-repo/semantics/article
dc.identifier.publicationfirstpage159
dc.identifier.publicationissue28
dc.identifier.publicationlastpage169
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International


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