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dc.contributor.author | Arce, María Laura | |
dc.contributor.editor | Ediciones Universidad de Valladolid | es |
dc.date.accessioned | 2016-06-22T16:23:16Z | |
dc.date.available | 2016-06-22T16:23:16Z | |
dc.date.issued | 2011 | |
dc.identifier.citation | ES: Revista de filología inglesa, 2011, N.32, pags.27-42 | |
dc.identifier.issn | 0210-9689 | |
dc.identifier.uri | http://uvadoc.uva.es/handle/10324/17389 | |
dc.description.abstract | La novela de Philip Roth I Married a Communist ilustra el periodo político dirigido por el senador McCarthy a través de la historia de Ira Ringold. Roth utiliza uno de los periodos más controvertidos de Estados Unidos para crear una trama basada en la conspiración y la traición. Linda Hutcheon afirma en su libro A Poetics of Postmodernism que la ficción histórica es "that which is modeled on historiography to the extent that it is motivated and made operative by a notion of history as a shaping force." La intención de este artículo es analizar como Roth da forma a la definición de Linda Hutcheon acerca de la ficción historiográfica. Roth establece un paralelismo entre la ficción y los métodos empleados por McCarthy para implantar el miedo en la sociedad americana y, por medio de la conspiración, manipularla. I Married a Communist es una ficción de la historia, una novela que nos presenta el alzamiento y la caída de la estrella mediática, Ira Ringold, como víctima de una teoría conspiratoria que le lleva a la paranoia y a su propia destrucción. | |
dc.description.abstract | Philip Roth's novel I Married a Communist depicts McCarthyism through Ira Ringold's story. Roth uses one of the most controversial political periods of America to create a plot based on betrayal and conspiracy. Linda Hutcheon states in her book A Poetics of Postmodernism that historical fiction is "that which is modeled on historiography to the extent that it is motivated and made operative by a notion of history as a shaping force." The intention of this article is to analyze how Roth gives shape to Hutcheon's definition of historiographic metafiction. Roth establishes a parallelism between fiction and McCarthy's methods, to implement fear in American society and, through conspiracy, manipulate it. I Married a Communist is a fiction of history, a novel that introduces the rise and fall of the media star, Ira Ringold, as a victim of a conspiracy theory that takes him to paranoia and destruction. | |
dc.format.mimetype | application/pdf | |
dc.language.iso | spa | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | ES: Revista de filología inglesa | |
dc.subject | Filología Inglesa | |
dc.title | Conspiracy and Betrayal in the Shade of McCarthy's America: Philip Roth's / Married a Communist | |
dc.type | info:eu-repo/semantics/article | |
dc.identifier.publicationfirstpage | 27 | |
dc.identifier.publicationissue | 32 | |
dc.identifier.publicationlastpage | 42 | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International |
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