Book review Enda Walsh, The Walworth farce & The new electric ballroom. New York: Theatre Communications Group, 2009

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dc.contributor.author	Herrero Martín, Rosana
dc.contributor.editor	Ediciones Universidad de Valladolid	es
dc.date.accessioned	2017-03-22T09:42:07Z
dc.date.available	2017-03-22T09:42:07Z
dc.date.issued	2010
dc.identifier.citation	ES: revista de filología inglesa, 2010, N. 31, pags. 299-304	es
dc.identifier.issn	0210-9689	es
dc.identifier.uri	http://uvadoc.uva.es/handle/10324/22688
dc.description.abstract	These two recent and acclaimed plays by Enda Walsh are meant to be a tandem billboard featuring a set of idiosyncratic issues, or as we may allow ourselves to call them, by now, “Walshian obsessions.” Namely, the vicious need to replay the darkest pitfalls of one’s own family past; the ritualistic, cyclic and punctilious nature of the paraphernalia and wording involved within this performative procedure; together with the exploration of its dubious range of loyalty to reality, and the limits of its transfigurative and therapeutic effects.	es
dc.format.mimetype	application/pdf	es
dc.language.iso	eng	es
dc.rights.accessRights	info:eu-repo/semantics/openAccess	es
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject	Libros - Reseñas	es
dc.title	Book review Enda Walsh, The Walworth farce & The new electric ballroom. New York: Theatre Communications Group, 2009	es
dc.type	info:eu-repo/semantics/article	es
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 International