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dc.contributor.authorMuñoz González, Esther
dc.contributor.editorEdiciones Universidad de Valladolid es
dc.date.accessioned2017-12-21T19:11:12Z
dc.date.available2017-12-21T19:11:12Z
dc.date.issued2017
dc.identifier.citationES Review. Spanish Journal of English Studies; Núm. 38 (2017) pags. 47-63
dc.identifier.issn2531-1654
dc.identifier.issn2531-1646
dc.identifier.urihttp://uvadoc.uva.es/handle/10324/27852
dc.description.abstractThis article analyses Maggie Gee’s novel Lost Children (1994) from the combined perspectives of feminist and trauma theories. It contends that the sudden disappearance of the protagonist’s teenage daughter triggers a psychological quest for the recovery of her voice and self, shattered by a traumatic experience she had in her childhood. My analysis, which pays especial attention to narratological issues —since this barely perceptible, insidious trauma is expressed both formally and thematically— shows that Alma’s behaviour is representative of the worries, expectations and impositions that contemporary children and women are subject to in western society, still imbued by patriarchal models and rules of behaviour.
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceES Review. Spanish Journal of English Studies
dc.titleLost Children: Hearing the Past in the Silence of an Empty House
dc.typeinfo:eu-repo/semantics/article
dc.identifier.doihttps://doi.org/10.24197/ersjes.38.2017.47-63
dc.relation.publisherversionhttps://revistas.uva.es/index.php/esreview/article/view/1608
dc.identifier.publicationfirstpage47
dc.identifier.publicationissue38
dc.identifier.publicationlastpage63
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International


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