One of the latest rediscoveries within the field of the Burney Studies is the oeuvre of Frances Burney’s half-sister, Sarah Harriet Burney, who also was a famous novelist during her lifetime. This paper focuses on two black characters in Geraldine Fauconberg (1808) and Traits of Nature (1812). By using a gender and postcolonial criticism, I analyze Sarah Harriet’s portrait of blackness and how this author approached the marginalization of the blacks in early nineteenth-century Britain, which is closely related to the oppression suffered by the heroines in her works.
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