dc.contributor.author | Marcos Pérez, José María | |
dc.contributor.editor | Ediciones Universidad de Valladolid | es |
dc.date.accessioned | 2019-04-24T18:03:25Z | |
dc.date.available | 2019-04-24T18:03:25Z | |
dc.date.issued | 1994 | |
dc.identifier.citation | Minerva. Revista de Filología Clásica; Núm. 8 (1994) pags. 77-97 | |
dc.identifier.issn | 2530-6480 | |
dc.identifier.uri | http://uvadoc.uva.es/handle/10324/35408 | |
dc.description.abstract | This paper attempts to be a study of the messanger-speech concept and structure in Euripides' plays. The messanger's function, concept and attributes are also studied. The author focusses his attention on the messanger-speech sections and the differences among them. The messanger-speech is seen as the highest stage of tragic dramatism. | |
dc.format.mimetype | application/pdf | |
dc.language.iso | spa | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | Minerva. Revista de Filología Clásica | |
dc.subject | Filología clásica | |
dc.title | El relato del mensajero en Eurípides: concepto y estructura | |
dc.type | info:eu-repo/semantics/article | |
dc.relation.publisherversion | https://revistas.uva.es/index.php/minerva/article/view/3132 | |
dc.identifier.publicationfirstpage | 77 | |
dc.identifier.publicationissue | 8 | |
dc.identifier.publicationlastpage | 97 | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion |
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