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dc.contributor.authorLossau, Manfred
dc.contributor.editorEdiciones Universidad de Valladolid es
dc.date.accessioned2019-04-25T15:50:44Z
dc.date.available2019-04-25T15:50:44Z
dc.date.issued1992
dc.identifier.citationMinerva. Revista de Filología Clásica; Núm. 6 (1992) pags. 117-139
dc.identifier.issn2530-6480
dc.identifier.urihttp://uvadoc.uva.es/handle/10324/35816
dc.description.abstractThe things in the world, not least the products of the Fine Arts as well as of poetry, are not representations of the beautiful, and Plato does not admit to «his» polis either artists or their art as they are, inasmuch as those products are not likenesses of the idea of the beautiful, of the beautiful man, the beautiful thing. Notwithstanding, Plato was not only an artist himself but a connoisseur of the Fine Arts, to the highest degree, and objectively the elite condition of working in the Academy provided him with a position to be even an amateur of these Fine Arts.
dc.format.mimetypeapplication/pdf
dc.language.isospa
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceMinerva. Revista de Filología Clásica
dc.subjectFilología clásica
dc.title¿Platón enemigo del arte?
dc.typeinfo:eu-repo/semantics/article
dc.relation.publisherversionhttps://revistas.uva.es/index.php/minerva/article/view/3185
dc.identifier.publicationfirstpage117
dc.identifier.publicationissue6
dc.identifier.publicationlastpage139
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersion


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