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dc.contributor.author | Castro Rodríguez, Sixto José | |
dc.date.accessioned | 2021-02-02T11:21:52Z | |
dc.date.available | 2021-02-02T11:21:52Z | |
dc.date.issued | 2003 | |
dc.identifier.citation | Anuario filosófico, Vol. 36, Nº 77, 2003, págs. 587-598 | es |
dc.identifier.issn | 0066-5215 | es |
dc.identifier.uri | http://uvadoc.uva.es/handle/10324/45185 | |
dc.description | Producción Científica | es |
dc.description.abstract | The work of art has its own temporality, as Phenomenology and Hermeneutics have shown. Among all the authors belonging to both philosophical movements, Gadamer has paid special attention to this phenomenon. In the present paper, I study his contribution to this particular topic, and I try to relate it to some other possibilities of approaching this subject. | es |
dc.format.mimetype | application/pdf | es |
dc.language.iso | spa | es |
dc.publisher | Universidad de Navarra | es |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject.classification | Tiempo | es |
dc.subject.classification | Arte | es |
dc.subject.classification | Hans-Georg Gadamer (1900 – 2002) | es |
dc.title | La temporalidad de la obra de arte | es |
dc.type | info:eu-repo/semantics/article | es |
dc.rights.holder | © Universidad de Navarra | es |
dc.relation.publisherversion | https://revistas.unav.edu/index.php/anuario-filosofico/index | es |
dc.identifier.publicationfirstpage | 587 | es |
dc.identifier.publicationissue | 77 | es |
dc.identifier.publicationlastpage | 598 | es |
dc.identifier.publicationtitle | Anuario filosófico | es |
dc.identifier.publicationvolume | 36 | es |
dc.peerreviewed | SI | es |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es |
dc.subject.unesco | 7202.02 Hermenéutica | es |
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