Mostrar registro simples

dc.contributor.authorGorbachyova, Mariya
dc.contributor.editorEdiciones Universidad de Valladolid 
dc.date.accessioned2021-09-03T08:37:07Z
dc.date.available2021-09-03T08:37:07Z
dc.date.issued2021
dc.identifier.citationSociology and Technoscience; Vol 11 No 1 (2021): Seeking Eccentricity pags. 78-90
dc.identifier.issn1989-8487
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/48521
dc.description.abstractPursuing the line of bold indie/pop music, Perfume Genius is shining on Too Bright and shapeshifting on No Shape. Borrowing from Duggan's, Muñoz's and Halberstam’s explorations on embracing queer negativity and hopelessness, this article maps out works of Perfume Genius, or Mike Hadreas, in the form of a journey towards crafting the queen(r) art of failure.  Disturbing the heteronormative desire for coherence reflected in the media’s sanitized queer image and the productive disciplined subject in general, such art is integral to queer praxis. It is addressed both as a way of life and in its potential to be the fine line between trying to inscribe every abject into the category of intelligible and simply refusing to be, through engaging in queer negativity.
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceSociology and Technoscience
dc.subjectSociología
dc.titleThe Queen Art of Failure: Hope/lessness, Re/productivity and Desire in Perfume Genius’s Too Bright , No Shape
dc.typeinfo:eu-repo/semantics/article
dc.relation.publisherversionhttps://revistas.uva.es/index.php/sociotecno/article/view/4919
dc.identifier.publicationfirstpage78
dc.identifier.publicationissue1
dc.identifier.publicationlastpage90
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersion


Arquivos deste item

Thumbnail

Este item aparece na(s) seguinte(s) coleção(s)

Mostrar registro simples