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dc.contributor.authorCogolludo Díaz, Juan José
dc.contributor.editorEdiciones Universidad de Valladolid 
dc.date.accessioned2021-12-10T14:55:31Z
dc.date.available2021-12-10T14:55:31Z
dc.date.issued2021
dc.identifier.citationES Review. Spanish Journal of English Studies; No 42 (2021) pags. 239-260
dc.identifier.issn2531-1654
dc.identifier.issn2531-1646
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/50803
dc.description.abstractDante’s Divine Comedy had an enormous influence on Seamus Heaney’s oeuvre, especially from Field Work (1979) onwards. Heaney exploits the great Dantean epic poem to create a framework that allows him to contextualise some of the most painful political and social episodes in Irish history, namely the Great Hunger and the secular clashes between Protestants and Catholics. Heaney pays special attention to the problems originating from the outburst of the atavistic and sectarian violence—euphemistically known as “the Troubles”—between the unionist and nationalist communities in Northern Ireland as from 1969, causing great suffering and wreaking havoc on the Northern Irish population for decades.
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceES Review. Spanish Journal of English Studies
dc.subjectFilología Inglesa
dc.titleDante’s Influence on Seamus Heaney’s Poetry on the Troubles in Northern Ireland: “The Strand at Lough Beg,” “An Afterwards” and “Ugolino”
dc.typeinfo:eu-repo/semantics/article
dc.identifier.doihttps://doi.org/10.24197/ersjes.42.2021.239-260
dc.relation.publisherversionhttps://revistas.uva.es/index.php/esreview/article/view/5624
dc.identifier.publicationfirstpage239
dc.identifier.publicationissue42
dc.identifier.publicationlastpage260
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersion


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