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dc.contributor.author | Redondo Cantera, María José | |
dc.contributor.editor | Ediciones Universidad de Valladolid | |
dc.date.accessioned | 2021-12-10T16:41:09Z | |
dc.date.available | 2021-12-10T16:41:09Z | |
dc.date.issued | 2021 | |
dc.identifier.citation | BSAA arte; Núm. 87 (2021) pags. 379-382 | |
dc.identifier.issn | 2530-6359 | |
dc.identifier.issn | 1888-9751 | |
dc.identifier.uri | https://uvadoc.uva.es/handle/10324/50902 | |
dc.format.mimetype | application/pdf | |
dc.language.iso | spa | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | BSAA arte | |
dc.subject | Arte | |
dc.title | "Las copias de obras maestras de la pintura en las colecciones de los Austrias y el Museo del Prado", de David García Cueto (ed.) | |
dc.type | info:eu-repo/semantics/article | |
dc.identifier.doi | https://doi.org/10.24197/bsaaa.87.2021.379-382 | |
dc.relation.publisherversion | https://revistas.uva.es/index.php/bsaaarte/article/view/5673 | |
dc.identifier.publicationfirstpage | 379 | |
dc.identifier.publicationissue | 87 | |
dc.identifier.publicationlastpage | 382 | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion |
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