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dc.contributor.authorCarrozza, Marco
dc.contributor.editorEdiciones Universidad de Valladolid 
dc.date.accessioned2023-01-12T16:10:26Z
dc.date.available2023-01-12T16:10:26Z
dc.date.issued2022
dc.identifier.citationMinerva. Revista de Filología Clásica; Núm. 35 (2022) pags. 37-59
dc.identifier.issn2530-6480
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/58142
dc.description.abstractThis paper aims to analyse both the refined devices of literary contamination and the textual techniques that permeate Teacher of Orators by Lucian of Samosata, a pamphlet which attacks the lack of moderation of certain fashionable members of the Second Sophistic. Besides evaluating Lucian’s criticism in an impartial way, this paper offers an analysis of the relationship among the dialogue itself and other literary genres, such as theatre and the contemporary Sophistic declamations. Furthermore, the present study explores the parodic nature of the work and focuses on investigating the overlapping in the different levels of meaning, as typical of parodic operation.
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceMinerva. Revista de Filología Clásica
dc.subjectFilología clásica
dc.titleIl Maestro dei Retori di Luciano: tecniche compositive e contaminazione dei modelli
dc.typeinfo:eu-repo/semantics/article
dc.identifier.doi10.24197/mrfc.35.2022.37-59es
dc.relation.publisherversionhttp://revistas.uva.es/index.php/minerva/article/view/5504
dc.identifier.publicationfirstpage37
dc.identifier.publicationissue35
dc.identifier.publicationlastpage59
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersion


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