Show simple item record

dc.contributor.authorTorrego González, Alba
dc.contributor.authorGutiérrez Martín, Alfonso 
dc.contributor.authorHoechsmann, Michael
dc.date.accessioned2023-06-22T07:44:30Z
dc.date.available2023-06-22T07:44:30Z
dc.date.issued2021
dc.identifier.citationSustainability, 2021, Vol. 13, Nº. 4, 1753es
dc.identifier.issn2071-1050es
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/59928
dc.descriptionProducción Científicaes
dc.description.abstractThe hybridization of television genres has led to numerous non-fiction television shows that base much of their success on audience engagement through social networks. This study analyses a specific case, that of La isla de las tentaciones (Temptation Island), to identify interpretive frames in reality shows and their interrelationships with audience involvement on Instagram. Based on a corpus of 8409 comments posted on Instagram by the followers of the program’s actor profiles, the article analyzes the lines between reality and fiction in this non-fiction television show about relationships and infidelity, and, in particular, how online “haters” play a performative role. The show’s participants who were unfaithful are insulted and receive numerous negative value judgments. The “coding and counting” method, drawn from Computer Mediated Discourse Analysis, is used for the coding. Results show that viewers barely allude to this show as fiction, do not differentiate between the actors and their characters, and empathize strongly with the stories they view. The study shows the need for media education, both for those who make the media and those who view it. The goal is not to detract from entertainment value, but to improve critical skills and to recover the educational function of media.es
dc.format.mimetypeapplication/pdfes
dc.language.isoenges
dc.publisherMDPIes
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectMedios de comunicación social - Aspecto sociales
dc.subjectTelevisión - Aspecto sociales
dc.subjectReality television programs - History and criticismes
dc.subjectFraminges
dc.subjectMediaes
dc.subjectInstagram (Red social)es
dc.subjectMedia literacyes
dc.subjectMass mediaes
dc.subjectNarrativa transmediaes
dc.subjectDigital mediaes
dc.subjectEntertainment computinges
dc.subjectEntretenimientoes
dc.titleThe fine line between person and persona in the Spanish reality television show La isla de las tentaciones: Audience engagement on Instagrames
dc.typeinfo:eu-repo/semantics/articlees
dc.rights.holder© 2021 The authorses
dc.identifier.doi10.3390/su13041753es
dc.relation.publisherversionhttps://www.mdpi.com/2071-1050/13/4/1753es
dc.identifier.publicationfirstpage1753es
dc.identifier.publicationissue4es
dc.identifier.publicationtitleSustainabilityes
dc.identifier.publicationvolume13es
dc.peerreviewedSIes
dc.description.projectMinisterio de Ciencia, Innovación y Universidades - (project PID2019-104689RB-I00)es
dc.identifier.essn2071-1050es
dc.rightsAtribución 4.0 Internacional*
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones
dc.subject.unesco3325.09 Televisiónes
dc.subject.unesco5910.02 Medios de Comunicación de Masases


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record