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dc.contributor.authorAbril Hernández, Ana
dc.contributor.editorEdiciones Universidad de Valladolid 
dc.date.accessioned2024-01-05T09:17:02Z
dc.date.available2024-01-05T09:17:02Z
dc.date.issued2023
dc.identifier.citationES Review. Spanish Journal of English Studies; No. 44 (2023) pags. 187-212
dc.identifier.issn2531-1654
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/64153
dc.description.abstractThis article examines Kate Chopin’s second novel, The Awakening, in conjunction with a graphic novel of this work developed by Rebecca Migdal in The Graphic Canon, Vol. 3 and aims to study the use of silences in Chopin’s novel and the graphic version. This analysis examines non-linguistic communication presented in Chopin’s novel in the figure of her literary alter ego, Edna Pontellier. The methodological framework of this investigation draws on intermedial semiotics with the aim of discussing the use of the literary resource of silence as a visual communicating device in Chopin’s cornerstone of feminist literature The Awakening.  
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceES Review. Spanish Journal of English Studies
dc.subjectFilología Inglesa
dc.title“The Voice of the Sea Speaks to the Soul“: Voicing Silence in Kate Chopin’s The Awakening and in Rebecca Migdal’s Graphic Adaptation
dc.typeinfo:eu-repo/semantics/article
dc.identifier.doihttps://doi.org/10.24197/ersjes.44.2023.187-212
dc.relation.publisherversionhttp://revistas.uva.es/index.php/esreview/article/view/the-awakening
dc.identifier.publicationfirstpage187
dc.identifier.publicationissue44
dc.identifier.publicationlastpage212
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersion


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