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dc.contributor.authorValero Redondo, María
dc.contributor.editorEdiciones Universidad de Valladolid 
dc.date.accessioned2024-01-05T09:17:06Z
dc.date.available2024-01-05T09:17:06Z
dc.date.issued2023
dc.identifier.citationES Review. Spanish Journal of English Studies; No. 44 (2023) pags. 237-259
dc.identifier.issn2531-1654
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/64162
dc.description.abstractMy aim in this article is to argue that Henry James’s Washington Square (1880) is an unacknowledged reworking of Jane Austen’s Mansfield Park (1814). To this purpose, I have analyzed both narratives as fictions of domestic alienation in which the heroines refuse to allow their individuality to be subdued by; (a) patriarchal authority and parental mismanagement; (b) the interferences and meddlings of their manipulative aunts; or (c) the libertine corruption of their deceitful suitors. Although they have been subjected to coercion and manipulation, Fanny Price and Catherine Sloper rebel against the pressures of parental authority and emerge as the true preservers of moral integrity. 
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceES Review. Spanish Journal of English Studies
dc.subjectFilología Inglesa
dc.title“Undiverted Hearts”: Domestic Alienation and Moral Integrity in Jane Austen’s Mansfield Park and Henry James’s Washington Square
dc.typeinfo:eu-repo/semantics/article
dc.identifier.doihttps://doi.org/10.24197/ersjes.44.2023.237-259
dc.relation.publisherversionhttp://revistas.uva.es/index.php/esreview/article/view/undiverted-hearts-jane-auster-henry-james
dc.identifier.publicationfirstpage237
dc.identifier.publicationissue44
dc.identifier.publicationlastpage259
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersion


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