Mostrar el registro sencillo del ítem

dc.contributor.authorAlarcón Jiménez, Ana María
dc.contributor.authorJimenez Pasalodos, Raquel 
dc.contributor.authorDíaz Andreu, Margarita
dc.date.accessioned2024-01-17T15:38:16Z
dc.date.available2024-01-17T15:38:16Z
dc.date.issued2021
dc.identifier.citationAna-María Alarcón-Jiménez, Raquel Jiménez Pasalodos & Margarita Díaz-Andreu (2023) A glimpse behind closed doors. Alfred L. Kroeber and the representation of native Californian music, History and Anthropology, 34:3, 521-539, DOI: 10.1080/02757206.2021.1983561es
dc.identifier.issn0275-7206es
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/64676
dc.description.abstractThis article looks into the early twentieth century history of anthropological approaches to the study of music. Specifically, it delves into Alfred L. Kroeber's work on Native Californian cultures. It inquires into why Kroeber did not include music in his anthropological publications, despite collecting and analysing Native Californian music in private.es
dc.format.mimetypeapplication/pdfes
dc.language.isospaes
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses
dc.titleA glimpse behind closed doors. Alfred L. Kroeber and the representation of native Californian musices
dc.typeinfo:eu-repo/semantics/articlees
dc.identifier.doi10.1080/02757206.2021.1983561es
dc.identifier.publicationfirstpage521es
dc.identifier.publicationissue3es
dc.identifier.publicationlastpage539es
dc.identifier.publicationtitleHistory and Anthropologyes
dc.identifier.publicationvolume34es
dc.peerreviewedSIes
dc.identifier.essn1477-2612es
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones


Ficheros en el ítem

Thumbnail

Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem