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dc.contributor.author | Alarcón Jiménez, Ana María | |
dc.contributor.author | Jimenez Pasalodos, Raquel | |
dc.contributor.author | Díaz Andreu, Margarita | |
dc.date.accessioned | 2024-01-17T15:38:16Z | |
dc.date.available | 2024-01-17T15:38:16Z | |
dc.date.issued | 2021 | |
dc.identifier.citation | Ana-María Alarcón-Jiménez, Raquel Jiménez Pasalodos & Margarita Díaz-Andreu (2023) A glimpse behind closed doors. Alfred L. Kroeber and the representation of native Californian music, History and Anthropology, 34:3, 521-539, DOI: 10.1080/02757206.2021.1983561 | es |
dc.identifier.issn | 0275-7206 | es |
dc.identifier.uri | https://uvadoc.uva.es/handle/10324/64676 | |
dc.description.abstract | This article looks into the early twentieth century history of anthropological approaches to the study of music. Specifically, it delves into Alfred L. Kroeber's work on Native Californian cultures. It inquires into why Kroeber did not include music in his anthropological publications, despite collecting and analysing Native Californian music in private. | es |
dc.format.mimetype | application/pdf | es |
dc.language.iso | spa | es |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
dc.title | A glimpse behind closed doors. Alfred L. Kroeber and the representation of native Californian music | es |
dc.type | info:eu-repo/semantics/article | es |
dc.identifier.doi | 10.1080/02757206.2021.1983561 | es |
dc.identifier.publicationfirstpage | 521 | es |
dc.identifier.publicationissue | 3 | es |
dc.identifier.publicationlastpage | 539 | es |
dc.identifier.publicationtitle | History and Anthropology | es |
dc.identifier.publicationvolume | 34 | es |
dc.peerreviewed | SI | es |
dc.identifier.essn | 1477-2612 | es |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es |