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dc.contributor.authorMezquita Fernández, María Antonia 
dc.date.accessioned2024-12-13T13:34:17Z
dc.date.available2024-12-13T13:34:17Z
dc.date.issued2021
dc.identifier.citationMartínez Serrano, Leonor M. y Gámez Fernández, Cristina M (eds.), Modern Ecopoetry. Reading the Palimpsest of the More-Than-Human Word. Leiden: Brill, 2021, p. 25-42.es
dc.identifier.isbn978-90-04-44526-0es
dc.identifier.urihttps://uvadoc.uva.es/handle/10324/72534
dc.descriptionProducción Científicaes
dc.description.abstractThis chapter focuses on the roots and affinities of the Welsh poet Dylan Thomas and how they are reflected in the works of the Spanish poet Claudio Rodríguez, who shared a similar vision of nature. Although some researches mention Rodríguez's interest in the works of the Welsh author, no in-depth study comparing these poets has been published to date. This study will examine how Thomas' influence shaped the compositions of Rodríguez and analyse the affinities existing between the two. It will demonstrate that both authors share a very similar view of nature and an ecocritical perspective will be used to examine how the natural world is represented and dealt with by them.es
dc.format.mimetypeapplication/pdfes
dc.language.isoenges
dc.publisherBrill / Rodopies
dc.rights.accessRightsinfo:eu-repo/semantics/embargoedAccesses
dc.titleThe Roots and Affinities of Dylan Thomas in the Works of Claudio Rodríguez: Sacred Nature in the Poet’s Imaginationes
dc.typeinfo:eu-repo/semantics/bookPartes
dc.relation.publisherversionhttps://brill.com/display/title/58840es
dc.identifier.publicationfirstpage25es
dc.identifier.publicationlastpage42es
dc.identifier.publicationtitleThe Roots and Affinities of Dylan Thomas in the Works of Claudio Rodríguez: Sacred Nature in the Poet's Imaginationes
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones


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