A drawing attributed to Adam Elsheimer in the Biblioteca Nacional de España, Madrid

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dc.contributor.author	García-Toraño, Isabel
dc.contributor.author	Pascual Chenel, Álvaro
dc.contributor.author	Rodríguez Rebollo, Ángel
dc.date.accessioned	2025-12-02T09:23:51Z
dc.date.available	2025-12-02T09:23:51Z
dc.date.issued	2021
dc.identifier.citation	The Burlington Magazine, 2021, vol. 163, no. 1419, pp. 508-513.	es
dc.identifier.uri	https://uvadoc.uva.es/handle/10324/80215
dc.description	Producción Científica	es
dc.description.abstract	A pen-and-ink and chalk drawing depicting Tobias and the angel is clearly related to Adam Elsheimer’s so-called ‘Small Tobias’, one of three paintings of the subject he is known to have made when in Rome in 1600–10. It is here proposed that the drawing is a preparatory sketch by Elsheimer for a lost fourth treatment of the story, recorded in a mezzotint made in London c.1685.	es
dc.format.mimetype	application/pdf	es
dc.language.iso	spa	es
dc.rights.accessRights	info:eu-repo/semantics/openAccess	es
dc.rights.uri	http://creativecommons.org/publicdomain/zero/1.0/	*
dc.title	A drawing attributed to Adam Elsheimer in the Biblioteca Nacional de España, Madrid	es
dc.type	info:eu-repo/semantics/article	es
dc.identifier.publicationfirstpage	508	es
dc.identifier.publicationissue	163	es
dc.identifier.publicationlastpage	513	es
dc.peerreviewed	SI	es
dc.rights	CC0 1.0 Universal	*
dc.type.hasVersion	info:eu-repo/semantics/draft	es

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