This study delves into the integration of technology into musical art,
focusing on Luigi Nono’s Prometheus and Pink Floyd’s live performance in
Venice. Despite their differences, both events represent pivotal moments in musical
evolution, necessitating detailed analysis. This article explores the intersection
of embodied cognition, music, and audience experience in Nono’s opera Prometeo
and Pink Floyd’s concert, revealing the fascinating integration of technology
into music. Nono’s Prometheus, performed in 1984, and Pink Floyd’s 1989 concert
in Venice showcase distinct yet intertwined paths in the realm of live electronic
music. This analysis considers the innovative approaches of both events,
highlighting their impact on musical expression and the audience’s perception.
By exploring these iconic performances, this study sheds light on the intricate
relationship between technology, music, and the human experience, illustrating
the profound implications of their fusion for the future of musical creativity and
audience engagement.
