Beyond Heideggerian Gelassenheit and Lichtungen: Christian Thought in Terrence Malick’s The Thin Red Line

Abstract

The Thin Red Line is a film by Terrence Malick that is usually read in a Heideggerian key, due precisely to the intellectual formation of the author, who was a professor of phenomenology and translator of Heidegger before becoming a filmmaker. However, read in the light of some of his later works, it can be seen as an oblique preamble for the manifest theism that The Tree of Life and A Hidden Life, two manifestly 21st-century religious films, unfold. In The Thin Red Line, Malick gives cinematographic form to some Heideggerian concepts in order to go beyond Heideggerian post-Christian philosophy and make the viewers adopt a mystical gaze that allows them to contemplate creation from a point of view that is neither utilitarian nor technical, but rather characterised by the perspective of Gelassenheit. A religious reading of this Heideggerian idea allows access to Heidegger’s source, which is Meister Eckhart, who is as present in Malick’s film(s) as Heideggerian philosophy itself.