| dc.contributor.author | Tuzi, Grazia | |
| dc.contributor.author | Peruarena Arregui (traductor), Juan | |
| dc.contributor.editor | Ediciones Universidad de Valladolid | es |
| dc.date.accessioned | 2026-03-03T09:50:31Z | |
| dc.date.available | 2026-03-03T09:50:31Z | |
| dc.date.issued | 2026 | |
| dc.identifier.citation | Tuzi, Grazia. Género, música, identidad. La pandereta en Cantabria. Trad. por Juan P. Arregui. Ediciones Universidad de Valladolid, 2026. | es |
| dc.identifier.isbn | 978-84-1320-351-5 | es |
| dc.identifier.uri | https://uvadoc.uva.es/handle/10324/83308 | |
| dc.description | Producción Científica | es |
| dc.description.abstract | La pandereta ha desempeñado y continúa desempeñando un papel central en el reconocimiento de la identidad de Cantabria. A través del análisis de las características organológicas del instrumento, de sus funciones, de los contextos interpretativos, de las técnicas de ejecución y de los repertorios, este libro presenta algunos de los factores histórico-culturales que, desde finales del siglo XIX, han contribuido a determinar los principales cambios en el ámbito de la música tradicional cántabra. Se trata de un viaje por la memoria trazado a través de las voces de algunas pandereteras reconocidas por la comunidad como guardianas de un saber musical ancestral. | es |
| dc.format.mimetype | application/pdf | es |
| dc.language.iso | spa | es |
| dc.relation.ispartofseries | Arte y Arqueología, nº 55 | es |
| dc.rights.accessRights | info:eu-repo/semantics/openAccess | es |
| dc.subject | 1. Instrumentos de música. 2. Folclore - España Cantabria. 3. Cantabria (España) - Usos y costumbres | es |
| dc.subject.classification | Pandereta, folclore, género, identidad, Cantabria, memoria, tradición | es |
| dc.title | Género, música, identidad. La pandereta en Cantabria. | es |
| dc.type | info:eu-repo/semantics/book | es |
| dc.identifier.doi | https://doi.org/10.24197/eduva.3071 | es |
| dc.relation.publisherversion | https://doi.org/10.24197/eduva.3071 | es |
| dc.description.other | The pandereta has long occupied—and continues to occupy—a central position in the articulation of Cantabrian cultural identity. Through a close examination of the instrument’s organological features, performance functions, musical repertoires, playing techniques, and socio-performative contexts, this book explores the historical and cultural processes that, since the late nineteenth century, have shaped and reconfigured the domain of traditional music in Cantabria.
Adopting an ethnomusicological perspective attentive to memory, transmission, and embodiment, the study approaches the pandereta not merely as a musical instrument but as a cultural agent embedded in networks of social practice and symbolic meaning. Particular attention is given to the voices and life histories of pandereteras recognised within their communities as bearers and transmitters of ancestral musical knowledge. Their testimonies illuminate the ways in which musical practice operates as a site of identity formation, gendered expression, and intergenerational continuity.
By situating the instrument within broader processes of cultural revitalisation, heritage-making, and shifting regimes of value, the book highlights the dynamic interplay between preservation and transformation that characterises Cantabria’s traditional soundscape. In doing so, it underscores the role of performance as a locus where memory, community, and cultural belonging are continually negotiated and reimagined. | es |
| dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es |
| dc.subject.unesco | 6203.06 | es |
| dc.subject.unesco | 5101.04 | es |
