La construcción de la iglesia de los Trinitarios calzados en la ciudad de Zamora supuso el adorno de la capilla mayor con un retablo principal y sus colaterales. En el artículo se relacionan estos colaterales con el foco vallisoletano, concretamente con el ensamblador Cristóbal Ruiz de Andino, y se acerca una Inmaculada Concepción al círculo de los Rozas. El retablo mayor, realizado a partir de 1710, se documenta como obra del ensamblador Francisco Pérez, y la mayor parte de las imágenes se atribuyen a Antonio Tomé.
The building of the Calced Trinitarians church in the town of Zamora meant the decoration of the major chapel with a main altarpiece and its correspondent collaterals. In the article, these collaterals are linked to the Valladolid background, to be exact, to the assembler Cristóbal Ruiz de Andino, and a Immaculate Conception is attributed to the Rozas. The main altarpiece, which was carried out from 1710, is documented as being a work by assembler Francisco Pérez, and most of the images are attributed to Antonio Tomé.
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