<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-05T13:08:47Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/10560" metadataPrefix="qdc">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/10560</identifier><datestamp>2021-09-06T07:39:52Z</datestamp><setSpec>com_10324_5466</setSpec><setSpec>com_10324_5186</setSpec><setSpec>com_10324_29291</setSpec><setSpec>col_10324_5477</setSpec></header><metadata><qdc:qualifieddc xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
<dc:title>Um Deus em busca de identidade: Dioniso em "Râs"</dc:title>
<dc:creator>Santos Silva, María de Fátima</dc:creator>
<dc:contributor>Ediciones Universidad de Valladolid</dc:contributor>
<dc:subject>Filología clásica</dc:subject>
<dcterms:abstract>Em Ras, Aristófanes encarna no deus do teatro o propulsor de uma viagem, ao longo da qual Dioniso se debate com uma permanente indefiniçao de identidade: quem é este Dioniso errante, à procura de um fortalecimento que a ressurreiçao de um poeta representa? De resto, esta pergunta sobre a identidade de Dioniso nao se esgota dentro da mera estrutura cómica. Ela suscita uma questao que se estende à própria natureza ambigua ou múltipla do deus e que se reflecte no seu culto. Logo o ritual permite a reviravolta da normatidade da vida social: que a ordem sexual flutue, ou que a hierarquia de classes sofra uma inversao podem ser entendidas como faces especificas de urna festa que comporta principios essenciais de subversao e de questionamento.</dcterms:abstract>
<dcterms:abstract>In the Frogs, Aristophanes gives to the god of theater the initiative of a trip, during which Dionysus faces a permanent problem of identity: who is this Dionysus looking for the power that a poet's resurrection represents? The question about Dionysus' identity doesn't find an answer within the play; it also puts under discussion the ambiguity of the god and his cult. The ritual allows changes on normal life: sexual order and social hierarchy may be subverted as part of a festival, where subversion and questioning are a priority.</dcterms:abstract>
<dcterms:dateAccepted>2015-04-14T14:02:38Z</dcterms:dateAccepted>
<dcterms:available>2015-04-14T14:02:38Z</dcterms:available>
<dcterms:created>2015-04-14T14:02:38Z</dcterms:created>
<dcterms:issued>2007</dcterms:issued>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>Minerva: Revista de filología clásica, 2007, N.20, pags.53-64</dc:identifier>
<dc:identifier>0213-9634</dc:identifier>
<dc:identifier>2530-6480</dc:identifier>
<dc:identifier>http://uvadoc.uva.es/handle/10324/10560</dc:identifier>
<dc:identifier>53</dc:identifier>
<dc:identifier>20</dc:identifier>
<dc:identifier>64</dc:identifier>
<dc:identifier>Minerva: Revista de filología clásica</dc:identifier>
<dc:language>spa</dc:language>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
<dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 International</dc:rights>
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