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oai:uvadoc.uva.es:10324/172862021-06-30T08:09:37Zcom_10324_5343com_10324_5186com_10324_29291col_10324_5356

Perojo Arronte, María Eugenia 2016-06-22T14:59:33Z 2016-06-22T14:59:33Z 2002 ES: Revista de filología inglesa, 2002, N.24, pags.101-108 0210-9689 http://uvadoc.uva.es/handle/10324/17286 101 24 108 Coleridge's poetry is seminal in the creation of women that can be included within the stereotype of the femme fatale. This is a peculiarly singular fact since its height took place nearly a hundred years later, in the last decades of the nineteenth century. Most of the explanations put forward for the proliferation of this femenine type are based on the social conditions of the period, obviously different from those of the last years of the previous century. Another kind of explanation seems to be required in Coleridge's case. The possibility of a link between the poet's creativity and his problems of gender identity is proposed in this paper. spa info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution-NonCommercial-NoDerivatives 4.0 International Filología Inglesa Coleridge y la creación de la femme fatale en la poesía del siglo XIX info:eu-repo/semantics/article