2026-04-27T23:23:28Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/199282021-06-30T07:51:45Zcom_10324_5460com_10324_5186com_10324_29291col_10324_19850
UVaDOC
author
López Sánchez, Raquel
editor
Ediciones Universidad de Valladolid
2016-10-10T14:24:13Z
2016-10-10T14:24:13Z
2016
Castilla: Estudios de Literatura, 2016, N.7, pags.193-216
1989-7383
http://uvadoc.uva.es/handle/10324/19928
7
This paper is based on a theorical-critical emptiness constatation, al least apparent, in the literary reflection of XVIth and XVIIth that is necessary to analyze for the best knowledge of our study’s object: the satire in the new Balladry. The following study consists of three phases: first, the theorical-critical delimitation of satire in the literary thought at XVIth and XVIIth centuries; secondly, the relation of satire expressive-referential model with the genre structural-strofic of new Balladry; finally, the study of satirical procedure in a representative baldad of Pedro Liñán de Riaza.
spa
Attribution-NonCommercial-NoDerivatives 4.0 International
Literatura
Sátira, risa y desmitificación en el Romancero nuevo: hacia una lectura de "Así Riselo cantaba" de Pedro Liñán de Riaza
info:eu-repo/semantics/article
URL
https://uvadoc.uva.es/bitstream/10324/19928/1/Castilla-2016-07-SatiraRisaDesmitificacionRomancero.pdf
File
MD5
88c48a6290834c38e0ca953da8556e77
420488
application/pdf
Castilla-2016-07-SatiraRisaDesmitificacionRomancero.pdf