2026-04-27T13:08:49Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/255652021-05-22T00:50:49Zcom_10324_38col_10324_852
UVaDOC
advisor
Benito Sánchez, Jesús
author
Martínez Tejedor, Débora
editor
Universidad de Valladolid. Facultad de Filosofía y Letras
2017-09-13T08:00:09Z
2017-09-13T08:00:09Z
2017
http://uvadoc.uva.es/handle/10324/25565
The Vietnam War was greatly resisted not only by the American population, but also, specifically, by African Americans. The black community, conditioned by the racially-biased treatment they received in their home country, finally awakened from their stagnation. The Communist propaganda of the Vietnamese depicting African Americans' subjugation to the American government's iniquitous policies empowered the strength of the civil unrest back home. In this context, far from being a mere form of entertainment, music started to be used as a political weapon. Songs like Starr's "War" or The Impressions' "Don't Cry My Love," composed in the 1960s, constituted a firm declaration against the Vietnam War. In addition, they reveal some relevant elements of the African American perspective on this armed conflict.
eng
Attribution-NonCommercial-NoDerivatives 4.0 International
The Black Voice in the Vietnam War: the African Americans' Awakening
info:eu-repo/semantics/bachelorThesis
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URL
https://uvadoc.uva.es/bitstream/10324/25565/1/TFG_F_2017_99.pdf
File
MD5
b08cb73e13cfd6019b714feb8acfcb87
614625
application/pdf
TFG_F_2017_99.pdf