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<title>Power and Submission in Two Dystopian Novels: Huxley’s Brave New World and Orwell’s 1984</title>
<creator>González Barreiro, Marina</creator>
<contributor>Benito Sánchez, Jesús</contributor>
<contributor>Universidad de Valladolid. Facultad de Filosofía y Letras</contributor>
<description>Dystopian literature has its origins in Utopias, but instead of representing somewhere&#xd;
paradisiacal, a pure and perfect society, dystopia refers to a “negative utopia” as reality&#xd;
develops in antithetical terms to those of an ideal society. Dystopian literature portrays a&#xd;
nightmarish vision of a futuristic world, commonly dominated by technology and a&#xd;
totalitarian ruling government which uses any possible means to exert an iron-handed&#xd;
control over its citizens. Both Aldous Huxley’s Brave New World (1932) and George&#xd;
Orwell’s 1984 (1949) are not only considered classics, but also archetypical of this&#xd;
genre and so viewed as two of the most important dystopian novels ever written. This&#xd;
thesis will analyse how both novels depict their dark futuristic vision. The study focuses&#xd;
on each author’s representation of the totalitarian state and the different methods of&#xd;
power, submission and control used by the government over population</description>
<date>2018-12-05</date>
<date>2018-12-05</date>
<date>2018</date>
<type>info:eu-repo/semantics/bachelorThesis</type>
<identifier>http://uvadoc.uva.es/handle/10324/33293</identifier>
<language>eng</language>
<rights>info:eu-repo/semantics/openAccess</rights>
<rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</rights>
<rights>Attribution-NonCommercial-NoDerivatives 4.0 International</rights>
</thesis></metadata></record></GetRecord></OAI-PMH>