<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-14T15:53:05Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/35409" metadataPrefix="mods">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/35409</identifier><datestamp>2022-09-27T13:28:34Z</datestamp><setSpec>com_10324_5466</setSpec><setSpec>com_10324_5186</setSpec><setSpec>com_10324_29291</setSpec><setSpec>col_10324_5493</setSpec></header><metadata><mods:mods xmlns:mods="http://www.loc.gov/mods/v3" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
<mods:name>
<mods:namePart>Amado Rodríguez, María Teresa</mods:namePart>
</mods:name>
<mods:extension>
<mods:dateAvailable encoding="iso8601">2019-04-24T18:03:25Z</mods:dateAvailable>
</mods:extension>
<mods:extension>
<mods:dateAccessioned encoding="iso8601">2019-04-24T18:03:25Z</mods:dateAccessioned>
</mods:extension>
<mods:originInfo>
<mods:dateIssued encoding="iso8601">1994</mods:dateIssued>
</mods:originInfo>
<mods:identifier type="citation">Minerva. Revista de Filología Clásica; Núm. 8 (1994) pags. 99-114</mods:identifier>
<mods:identifier type="issn">2530-6480</mods:identifier>
<mods:identifier type="uri">http://uvadoc.uva.es/handle/10324/35409</mods:identifier>
<mods:identifier type="publicationfirstpage">99</mods:identifier>
<mods:identifier type="publicationissue">8</mods:identifier>
<mods:identifier type="publicationlastpage">114</mods:identifier>
<mods:abstract>In Old Comedy we often find elements that belong to other literary genres used with a comic purpose. Cratinos is not a exception. In the present study we analyze the homeric elements in Cratinos' fragments, not only the literary parody examples with the reappearance of the burlesque in epic episodes, but also the spoken parody examples or parodic quoting of Horneros' poetry with a comic purpose.</mods:abstract>
<mods:language>
<mods:languageTerm>spa</mods:languageTerm>
</mods:language>
<mods:accessCondition type="useAndReproduction">info:eu-repo/semantics/openAccess</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">http://creativecommons.org/licenses/by-nc-nd/4.0/</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">Attribution-NonCommercial-NoDerivatives 4.0 International</mods:accessCondition>
<mods:subject>
<mods:topic>Filología clásica</mods:topic>
</mods:subject>
<mods:titleInfo>
<mods:title>Ὁμηροκρατινίζειν</mods:title>
</mods:titleInfo>
<mods:genre>info:eu-repo/semantics/article</mods:genre>
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