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oai:uvadoc.uva.es:10324/374042025-03-05T10:20:01Zcom_10324_1190com_10324_931com_10324_894col_10324_1353

Condiciones cinematográficas en la percepción del espacio arquitectónico: De El hombre de la cámara de Dizga Vertov (1929) al espacio cinematográfico de Le Corbusier (1930) Villalobos Alonso, Daniel Pérez Barreiro, Sara María Producción Científica Dizga Vertov showed in The Man with the Movie Camara (1929 ), the ability of independent documentary to be separated from a script, the participation of professional actors and a stage of lming, revalidating the predominance of montage as cinema itself against process the interpretation of “stories” . So approached this lm essay to real life in the city and its architecture as a stage. Stage / Architecture seen from its status kinetic vitality. Moreover, within the architectural avant-garde experiences , Le Corbusier movement welcomed the requirement as their own in the design and perception of architectural space. He endowed “time” their musical purists 1923-1929 , while a necessary condition space to be perceived in a “ sequence “ that he called “ promenade architecturale“ . It would be in 1930 when André Bloc ─ editor of the magazine Architecture d’ Aujourd’hui (1929 ) ─ he hired lmmaker Pierre Chenal for , with Le Corbusier, and Chenal same writer , roll three documentaries on modern architecture . Thus, Le Corbusier was able to explain , in the cinematic vision , the temporal and kinetic perception of their architectures and turn the architectural space in Architecture / Stage .The paper analyzes Vertov ‘s documentaries and Chenal / Le Corbusier as a “tool” that allowed show the dynamic dimension of urban and architectural space ; and concludes with the study of the interference of this dual relationship, Architecture / Cinema and Film / Architecture, in a period when the space was consciously designed visually from its angular / temporal requirement , approaching the Film category. 2019-08-13T18:01:26Z 2019-08-13T18:01:26Z 2014 info:eu-repo/semantics/conferenceObject António Costa Valente y Rita Capucho. Avanca Cinema. Internacional Conference 2014. Avanca (Portugal). Del 23 al 27 de julio de 2014. Edições Cine Clube de Avanca, 2014. pp. 123-130. 978-989-96858-4-0 http://uvadoc.uva.es/handle/10324/37404 spa info:eu-repo/semantics/openAccess http://creativecommons.org/publicdomain/zero/1.0/ Daniel Villalobos Alonso y Sara Pérez Barreiro CC0 1.0 Universal Edições Cine Clube de Avanca