2026-05-05T09:08:30Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/395192021-06-30T02:37:33Zcom_10324_38col_10324_852
UVaDOC
advisor
Dapia Ferreiro, María Celsa
author
Rodríguez López, Lara
editor
Universidad de Valladolid. Facultad de Filosofía y Letras
2019-11-25T16:58:38Z
2019-11-25T16:58:38Z
2019
http://uvadoc.uva.es/handle/10324/39519
In this thesis, I have analyzed the Spanish translation of the first and second Deadpool films, and more particularly, their high degree of domestication and adaptation to the target culture. In order to do so, I have studied three main categories: cultural references, swearwords and wordplay. During the analysis, the most relevant examples in the source text are compared to their translation, in order to throw some light on the translation process. Moreover, this study is accompanied by nine appendixes, which comprise the examples that could not be included in the analysis due to obvious constraints. After the comparative analysis, I will reflect upon the presence and role of the translator, who manages to perfectly adapt the Deadpool movies into the Spanish culture.
eng
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
The Deadpool Films Spanish Translation under Analysis: from Star Wars to Belén Esteban
info:eu-repo/semantics/bachelorThesis
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URL
https://uvadoc.uva.es/bitstream/10324/39519/1/TFG_F_2019_164.pdf
File
MD5
54ba18b2a766c6d159b480fc359fdd0f
561244
application/pdf
TFG_F_2019_164.pdf