2026-05-05T20:50:18Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/396192021-11-11T09:39:19Zcom_10324_38col_10324_852
UVaDOC
advisor
Cámara Arenas, Enrique
author
Sánchez Fernández, Abel
editor
Universidad de Valladolid. Facultad de Filosofía y Letras
2019-11-28T09:37:55Z
2019-11-28T09:37:55Z
2019
http://uvadoc.uva.es/handle/10324/39619
This study analyzes how fairy tales have changed during the second half of the 20th century and the beginning of the 21st. It compares landmark collections of fairy tales (Basile, Perrault, and Brothers Grim), to several post-World War II collections, from three different approaches: its relation to children, the presence or not of moral lessons in them, and the role of women and feminism in them. Most changes observed in contemporary fairy tales can be interpreted as a reaction against 19th-century censorship. The tendency of fairy tales now is to become elaborated, artistic creations, with these literary versions coexisting with simpler, more traditional tales aimed at children. While the role of women in fairy tales has greatly expanded, and has thus enriched them, the weight of morals in them is now reduced, something that could affect their strength and didactic value.
eng
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
The Metamorphosis of Fairy Tales during the 20th and 21st Centuries
info:eu-repo/semantics/bachelorThesis
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URL
https://uvadoc.uva.es/bitstream/10324/39619/1/TFG_F_2019_33.pdf
File
MD5
8a904ba5f3fcafb8f25579931b222732
268240
application/pdf
TFG_F_2019_33.pdf