2026-04-30T05:10:01Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/403512021-06-23T10:01:53Zcom_10324_1142com_10324_931com_10324_894col_10324_1259
UVaDOC
author
Kieffer, Paul
author
Griffiths, John
2020-01-24T20:41:51Z
2020-01-24T20:41:51Z
2018
Kate van Orden (ed.), Oxford Bibliographies in Music, New York, 2018
9780199757824
http://uvadoc.uva.es/handle/10324/40351
Oxford Bibliographies in Music
Lutes, guitars, and vihuelas were the principal plucked instruments in use in Europe until around
1800. Ancient forms of the lute existed in many parts of the ancient world, from Egypt and
Persia through to China. It appears to have become known in Europe, where its earliest
associations were with immigrants such as the legendary Persian lutenist Ziryab (b. c. 790–d.
852), who was established in Moorish Spain by 822. The origins of the various flat-backed
instruments that eventually became guitars are more difficult to trace. The vihuela is one such
instrument that evolved in the mid-15th century and was prolific in Spain and its dominions
throughout the 16th century and beyond. Very few plucked instruments, and only a handful of
fragmentary musical compositions, survive from before 1500. The absence of artifacts and
musical sources prior to 1500 has been a point of demarcation in the study of early plucked
instruments, although current research is seeking to explore the continuity of instrumental
practice across this somewhat artificial divide. In contrast, perhaps as many as thirty thousand
works—perhaps even more—for lute, guitar, and vihuela survive from the period 1500–1800.
The music and musical practices associated with them are not well integrated into general
histories of music. This is due in part to the use of tablature as the principal notation format until
about 1800, and also because writers of general histories of music have for the most part
ignored solo instrumental music in their coverage. (For example, the Oxford Anthology of
Western Music, Vol. 1 (2018), designed to accompany chapters 1–11 of Richard Taruskin’s
Oxford History of Western Music, does not contain a single piece of instrumental music prior to
Frescobaldi [1637]). Contrary to this marginalized image, lutes, vihuelas, and guitars were a
revered part of courtly musical culture until well into the 18th century, and constantly present in
urban contexts. After the development of basso continuo practice after 1600, plucked
instruments also became frequent in Christian church music, although the lute was widely
played by clerics of all levels, particularly during the Renaissance. It was also one of the
principal tools used by composers of liturgical polyphony, in part because tablature was the
most common way of writing music in score. From the beginning of music printing, printed
tablatures played a fundamental role in the urban dissemination of music originally for church
and court, and plucked instruments were used widely by all levels of society for both leisure and
pleasure. After 1800, the lute fell from use, the guitar was transformed into its modern form with
single strings, and tablature ceased to be the preferred notation for plucked instruments.
eng
Lute, Vihuela, and Early Guitar
info:eu-repo/semantics/bookPart
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URL
https://uvadoc.uva.es/bitstream/10324/40351/1/GRIFFITHS%3aKIEFFER%20Lute%20Vihuela%20Guitar%20final.pdf
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GRIFFITHS:KIEFFER Lute Vihuela Guitar final.pdf