<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-14T19:19:43Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/40574" metadataPrefix="mods">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/40574</identifier><datestamp>2021-06-23T10:14:03Z</datestamp><setSpec>com_10324_1154</setSpec><setSpec>com_10324_931</setSpec><setSpec>com_10324_894</setSpec><setSpec>col_10324_1939</setSpec></header><metadata><mods:mods xmlns:mods="http://www.loc.gov/mods/v3" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
<mods:name>
<mods:namePart>San José Rico, Patricia</mods:namePart>
</mods:name>
<mods:extension>
<mods:dateAvailable encoding="iso8601">2020-03-05T13:43:45Z</mods:dateAvailable>
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<mods:extension>
<mods:dateAccessioned encoding="iso8601">2020-03-05T13:43:45Z</mods:dateAccessioned>
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<mods:originInfo>
<mods:dateIssued encoding="iso8601">2019</mods:dateIssued>
</mods:originInfo>
<mods:identifier type="citation">Creating Memory and Cultural Identity in African American Trauma Fiction, 2019, 302 p.</mods:identifier>
<mods:identifier type="isbn">978-90-04-36410-3</mods:identifier>
<mods:identifier type="uri">http://uvadoc.uva.es/handle/10324/40574</mods:identifier>
<mods:identifier type="doi">10.1163/9789004364103</mods:identifier>
<mods:abstract>How do contemporary African American authors relate trauma, memory, and the recovery of the past with the processes of cultural and identity formation in African American communities? &#xd;
Patricia San José analyses a variety of novels by authors like Toni Morrison, Gloria Naylor, and David Bradley and explores these works as valuable instruments for the disclosure, giving voice, and public recognition of African American collective and historical trauma.</mods:abstract>
<mods:language>
<mods:languageTerm>eng</mods:languageTerm>
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<mods:accessCondition type="useAndReproduction">info:eu-repo/semantics/openAccess</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">http://creativecommons.org/licenses/by-nc-nd/4.0/</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">© 2019 Brill</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">Attribution-NonCommercial-NoDerivatives 4.0 Internacional</mods:accessCondition>
<mods:titleInfo>
<mods:title>Creating Memory and Cultural Identity in African American Trauma Fiction</mods:title>
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<mods:genre>info:eu-repo/semantics/book</mods:genre>
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