2026-04-30T00:48:23Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/445632025-03-26T19:45:08Zcom_10324_6426com_10324_5186com_10324_29291col_10324_44541
UVaDOC
author
Martens, Didier
author
Velasco Gonzàlez, Alberto
author
Dimov, Alexandre
author
Zdanov, Sacha
editor
Ediciones Universidad de Valladolid
2020-12-21T16:14:45Z
2020-12-21T16:14:45Z
2020
BSAA arte; Núm. 86 (2020) pags. 353-392
2530-6359
http://uvadoc.uva.es/handle/10324/44563
10.24197/bsaaa.86.2020.353-392
353
86
392
La redécouverte de la peinture flamande des xve et xvie siècles a suscité, à partir des années 1890, une production à grande échelle de faux Primitifs flamands. Dans certains cas, il s'agit d'œuvres réalisées sur un support moderne, dans d'autres, de tableaux anciens restaurés abusivement. Un certain nombre de ces faux Primitifs flamands se sont retrouvés dans des collections espagnoles. Plusieurs ont été reproduits comme des œuvres authentiques, flamandes ou hispano-flamandes, par des auteurs aussi réputés que Chandler Post, Jacques Lavalleye et Elisa Bermejo. Parmi les falsifications inédites étudiées dans le présent article, certaines peuvent être attribuées au restaurateur-faussaire belge Joseph Van der Veken ou au mystérieux 'Faussaire de Valls Marín'.
spa
Attribution-NonCommercial-NoDerivatives 4.0 International
Arte
Faux Primitifs flamands dans les collections espagnoles: œuvres publiées, œuvres inédites (Collections d’Espagne III ?)
info:eu-repo/semantics/article
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revistas_uva_es__bsaaarte_article_view_4381_3539.pdf