2026-04-28T19:31:00Zhttps://uvadoc.uva.es/oai/requestoai:uvadoc.uva.es:10324/449552021-06-30T08:57:54Zcom_10324_5262com_10324_5186com_10324_29291col_10324_44948
UVaDOC
author
Ruiz de la Serna, Ricardo
editor
Ediciones Universidad de Valladolid
2021-01-12T16:04:50Z
2021-01-12T16:04:50Z
2020
Revista de estudios europeos, 2020, N.76, pags.179-192
1132-7170
http://uvadoc.uva.es/handle/10324/44955
179
76
192
This paper is the contribution to the pannel "Hungary and the European Union, thirty years later (1989-2019)" within the framework of the study and analysis seminar "The countries of Central- Eastern Europe and the European Union, thirty years later (1989-2019) ”organized by the Institute of European Studies of the University of Valladolid in Valladolid from December 11 to 13, 2019. It explores, through some fragments, how the work of the Hungarian writer Péter Eszterházy (1950-2016) "Celestial Harmony" (2003) and "Corrected version. Appendix to Celestial Harmony ”(2005) give account of the social fracture caused by the police state that the communist regime imposed on Hungary between 1945 and 1989 through the figure of its own father, symbol of the dynasty and informant of the police services.
spa
info:eu-repo/semantics/openAccess
Noble, víctima e informador: La figura literaria del padre como símbolo del pasado y del desgarro en las obras de Péter Eszterházy “armonía celestial” (2003) y “versión corregida” (2005)
info:eu-repo/semantics/article
URL
https://uvadoc.uva.es/bitstream/10324/44955/1/2020-76-179-192.pdf
File
MD5
526b575c816f4c5140667dd69d32e694
356350
application/pdf
2020-76-179-192.pdf