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<dc:title>La temporalidad de la obra de arte</dc:title>
<dc:creator>Castro Rodríguez, Sixto José</dc:creator>
<dc:description>Producción Científica</dc:description>
<dc:description>The work of art has its own temporality, as Phenomenology and Hermeneutics have shown. Among all the authors belonging to both philosophical movements, Gadamer has paid special attention to this phenomenon. In the present paper, I study his contribution to this particular topic, and I try to relate it to some other possibilities of approaching this subject.</dc:description>
<dc:date>2021-02-02T11:21:52Z</dc:date>
<dc:date>2021-02-02T11:21:52Z</dc:date>
<dc:date>2003</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>Anuario filosófico, Vol. 36, Nº 77, 2003, págs. 587-598</dc:identifier>
<dc:identifier>0066-5215</dc:identifier>
<dc:identifier>http://uvadoc.uva.es/handle/10324/45185</dc:identifier>
<dc:identifier>587</dc:identifier>
<dc:identifier>77</dc:identifier>
<dc:identifier>598</dc:identifier>
<dc:identifier>Anuario filosófico</dc:identifier>
<dc:identifier>36</dc:identifier>
<dc:language>spa</dc:language>
<dc:relation>https://revistas.unav.edu/index.php/anuario-filosofico/index</dc:relation>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
<dc:rights>© Universidad de Navarra</dc:rights>
<dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dc:rights>
<dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dc:rights>
<dc:publisher>Universidad de Navarra</dc:publisher>
<dc:peerreviewed>SI</dc:peerreviewed>
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