<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-04-14T16:01:33Z</responseDate><request verb="GetRecord" identifier="oai:uvadoc.uva.es:10324/51176" metadataPrefix="dim">https://uvadoc.uva.es/oai/request</request><GetRecord><record><header><identifier>oai:uvadoc.uva.es:10324/51176</identifier><datestamp>2022-01-10T21:52:43Z</datestamp><setSpec>com_10324_38</setSpec><setSpec>col_10324_852</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
<dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="es" authority="c02d0727203b39df" confidence="600" orcid_id="">Perojo Arronte, María Eugenia</dim:field>
<dim:field mdschema="dc" element="contributor" qualifier="author" authority="92258370-2c2d-43ce-b04a-2f8797b5dc29" confidence="600" orcid_id="">Santana Felipe, María</dim:field>
<dim:field mdschema="dc" element="contributor" qualifier="editor" lang="es" authority="EDUVA84" confidence="600" orcid_id="">Universidad de Valladolid. Facultad de Filosofía y Letras</dim:field>
<dim:field mdschema="dc" element="date" qualifier="accessioned">2022-01-10T08:57:15Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="available">2022-01-10T08:57:15Z</dim:field>
<dim:field mdschema="dc" element="date" qualifier="issued">2021</dim:field>
<dim:field mdschema="dc" element="identifier" qualifier="uri">https://uvadoc.uva.es/handle/10324/51176</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">This essay analyzes the ballad influence in the poetry and paintings of Elizabeth&#xd;
Siddal. To conduct this task, I have chosen four of her poems – “Fragment of a Ballad”,&#xd;
“Love and Hate”, “At Last”, “Worn Out” – and two of her best-known pictures – Clerk&#xd;
Saunders and Eve of St. Agnes. The aim of this research is to demonstrate that Siddal drew&#xd;
inspiration from ballad writers such as Walter Scott, John Keats and Alfred Tennyson to&#xd;
subvert their subjects and work with them from a feminine perspective. Both her poems and&#xd;
her paintings have been analyzed to show how the artist interpreted those ballads written by&#xd;
her predecessors to offer her own version and a possible answer to the issues presented&#xd;
from a feminine point of view. Finally, this paper proves that Elizabeth Siddal has taken the&#xd;
ballad genre and adapted it to show her discomfort with Victorian standards.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="abstract" lang="es">Este trabajo de fin de grado analiza la influencia de la balada en la poesía y la&#xd;
pintura de Elizabeth Siddal. Para desempeñar esta tarea, he elegido cuatro de sus poemas –&#xd;
“Fragment of a Ballad”, “At Last”, “Love and Hate”, “Worn Out” – y dos de sus cuadros&#xd;
más conocidos – Clerk Saunders y Eve of St. Agnes. El objetivo de esta investigación es&#xd;
demostrar que Siddal se inspiró en autores como Walter Scott, John Keats y Alfred&#xd;
Tennyson para subvertir sus temas y trabajar con ellos desde una perspectiva femenina.&#xd;
Tanto los poemas como las pinturas se han analizado para mostrar cómo la autora interpretó&#xd;
esas baladas escritas por sus antecesores ofreciendo su propia versión e incluso una&#xd;
respuesta a las problemáticas planteadas desde un punto de vista femenino. Por último, este&#xd;
trabajo demuestra que Elizabeth Siddal ha tomado el género de la balada y lo ha adaptado&#xd;
para expresar su malestar con las normal sociales victorianas.</dim:field>
<dim:field mdschema="dc" element="description" qualifier="sponsorship" lang="es">Departamento de Filología Inglesa</dim:field>
<dim:field mdschema="dc" element="description" qualifier="degree" lang="es">Grado en Estudios Ingleses</dim:field>
<dim:field mdschema="dc" element="format" qualifier="mimetype" lang="es">application/pdf</dim:field>
<dim:field mdschema="dc" element="language" qualifier="iso" lang="es">eng</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="accessRights" lang="es">info:eu-repo/semantics/openAccess</dim:field>
<dim:field mdschema="dc" element="rights" qualifier="uri" lang="*">http://creativecommons.org/licenses/by-nc-nd/4.0/</dim:field>
<dim:field mdschema="dc" element="rights" lang="*">Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">Elizabeth Siddal</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">Victorian poetry</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">pre-raphaelite art</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">ballads</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">nineteenth-century</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">poesía victoriana</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">pintura pre-rafaelista</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="classification" lang="es">ballads</dim:field>
<dim:field mdschema="dc" element="subject" qualifier="unesco" lang="es">5701.11 Enseñanza de Lenguas</dim:field>
<dim:field mdschema="dc" element="title" lang="es">The Ballad Tradition in Elizabeth Siddal's Literary and Artistic Works</dim:field>
<dim:field mdschema="dc" element="type" lang="es">info:eu-repo/semantics/bachelorThesis</dim:field>
</dim:dim></metadata></record></GetRecord></OAI-PMH>