2026-04-27T21:26:21Zhttps://uvadoc.uva.es/oai/request
oai:uvadoc.uva.es:10324/525652022-03-21T21:58:03Zcom_10324_38col_10324_787
UVaDOC advisor Benito de la Fuente, Luis Javier author Tricoire Aparicio, Marion editor Universidad de Valladolid. Facultad de Filosofía y Letras 2022-03-21T13:27:22Z 2022-03-21T13:27:22Z 2021 https://uvadoc.uva.es/handle/10324/52565 L’identité féminine et plus particulièrement sa représentation au cinéma est au centre de ce TFM. Nous analyserons en premier lieu en quoi elle est façonnée politiquement et socialement dans le cinéma classique par la construction du “mythe de la féminité“. Après une approche théorique sur les gender and cultural studies et une analyse sur le genre, nous centrerons notre sujet sur la réalisatrice française d’excellence, Agnès Varda. A travers une rétrospective de sa carrière et l’analyse de ses films, focalisés sur ce regard féminin (female gaze) qui a révolutionné la représentation de la femme, nous construirons le portrait de cette grande dame du cinéma français. Nous finirons ce mémoire par une proposition didactique, répartie en cinq sessions de niveaux différents, afin d’entrevoir les multiples possibilités qu’offre le cinéma en cours de FLE, quel que soit le niveau de nos apprenants. fra Attribution-NonCommercial-NoDerivatives 4.0 Internacional Agnès Varda et le regard féminin au cinéma, application du sujet en cours de FLE info:eu-repo/semantics/masterThesis 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URL https://uvadoc.uva.es/bitstream/10324/52565/1/TFM_F_2021_161.pdf File MD5 6cfdcba0a3b113a69b407bad0edb965b 3347339 application/pdf TFM_F_2021_161.pdf